9 thoughts on “ Richie Beirach* - Elegy For Bill Evans (Vinyl, LP, Album)

  1. Richie Beirach was a friend of Bill Evans, so it was only natural that he would do a record dedicated to him following Evans' sad and sudden death in Beirach has a similar gift for interplay with his rhythm section, and the participation of bassist George Mraz and Price: $
  2. Label: Trio Records - PAP • Series: Trio Jazz Mania • Format: Vinyl LP, Album • Country: Japan • Genre: Jazz • Richie Beirach* - Elegy For Bill Evans (, Vinyl) | Discogs Explore5/5(5).
  3. Rendezvous, an Album by Richie Beirach & George Mraz. Released in on IPI (catalog no. IPI ; Vinyl LP). Featured peformers: Richie Beirach (piano), George Mraz (bass).
  4. Bill Evans / Jim Hall - Intermodulation Various - Voyager Golden Record 40th Anniversary Edition. Rock / Blues / Audio Files / Classical / World, Folk, Country. Download. Moodymann - Untitled. Electronic / Soul, Funk. Download. James Holden - Balance Electronic. Download.
  5. In addition, Liebman and Beirach have frequently performed and recorded as a duo. Several of Beirach's compositions – "Leaving" and "Elm", for instance – have found their way into the jazz standard repertoire. Playing style. Beirach's style is influenced by Art Tatum, Bill Evans, McCoy Tyner, Chick Corea and his earlier classical training.
  6. Richie Beirach, George Mraz, Al Foster Jazz (CD, LP) We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
  7. This music is dedicated to the memory of Bill Evans - Richie Beirach 発売元 ・ トリオ株式会社 Manufactured and distributed by Trio Records Trio Records / Trio Kenwood Corp. Roppongi, Minato-ku, Tokyo ¥2, Include Japanese liner notes.5/5(5).
  8. For the label ECM, Beirach worked as a leader, e.g. on the albums "Eon" in , "Elm" in , "Elegy for Bill Evans", and as a sideman respectively (for John Abercrombie and George Adams) from the middle of the s until the beginning of the s.
  9. Everybody Digs Bill Evans – or at least it certainly seems that way from the cover endorsements by Miles Davis, Cannonball Adderley, and Ahmad Jamal – but the real proof is in the record, and the set is a great one from Bill 's classic years on Riverside! Evans is at the peak of his early powers here – working with a straightforward rhythm combo that features Sam Jones on bass and Philly.

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